I was fascinated by logos of bands like Possessed, Sabbat, I heard them and realised, 'Wow, this is the thing I’veīeen looking for. Aīand that shook my heart was Protector, from Germany, especially their firstĪlbum, Misanthropy. Metal was definitely something that shaped me artistically. I love the Venom logo, it’s one of the ones Even if it’s a font.ĪC/DC, KISS, Iron Maiden, Venom. Where even if you’ve only seen it once, you remember it. An effective logo has to have a visual impact, “I was fascinated from the beginning with logos from different bands – not only “I started back in the early ’80s,” he says. His home studio, he designs logos for bands all over the world. Over the years, earning himself the nickname 'Lord of the Logos'. Parallel lines and mathematical precision, or the brutal barking of Napalm Death and the dense, messy chaos of theirs.Ĭhance on a band because the way they wrote their name looked badass.īelgian artist now living in Exeter. Think of the note-perfect, epic feel of Iron Maiden and their logo’s ![]() Logo to slap on a T-shirt and a couple of patches: a logo is a statement of Otherworldly messages, but they’re more than just branding, more than just a Some look like demonic scrawlings, some like futuristic Have ended up developing fantastic logos, from the savagely complex to the Grindcore bands and other inhabitants of the extreme end of the metal scale Guidance, or an album title, but in the world of metal, logos did a lot of the Go on – particularly in more niche subgenres that didn’t get any press coverage.īands had to do what they could visually – a band name could offer some Shelves of records trying to discover something new, you didn’t have a lot to Sifting through piles of tapes or endless It seems unthinkable, obviously, but there was once a time when youĭidn’t have all the music ever recorded, and all the information about itĪnyone could ever want, at your fingertips. Extreme metal champions, now and forever.Internet. In fact, no one else does it."Īs if to prove his point, Carcass rounded out 2021 with a headline performance at the UK's prestigious Damnation festival, a snarling masterclass in their legacy that proved once and for all that the new material was every bit as iconic and unstoppable as in their formative years. "Meanwhile, Jeff Walker’s ageless rasp and unerringly perverse and sardonic lyrics are as unique as ever. "The band are instinctively disinterested in rehashing past glories, and are still overburdened with brilliant, eccentric ideas," he continues. Theirs is a proudly old-school approach, and yet from the ripping riff-splurge of the opening title track to the cudgelling pomp of The Scythe’s Remorseless Swing, Carcass always sound utterly contemporary too." ![]() "These songs offer a wonderfully organic and human antidote to the legions of Pro-Tooled conformity. "Veteran status be damned, Carcass sound thoroughly vital and vivacious here," he wrote in a glowing review. Hammer's resident death metal expert Dom Lawson had no hesitation in handing a 9/10 score for the sheer excellence on display throughout Torn Arteries. The Liverpudlians' seventh effort Torn Arteries unfolded with an ungodly level of (surgical) precision, each clattering drum-fill, nimble-fingered riff structure and throat-shredding snarl measured out to just the right level to assert exactly why Carcass are considered the grand-daddies of extremity whilst grasping for inhuman levels of virtuosic brilliance. Potent and perilously addictive, Violence Unimagined is, without question, 2021’s bloody benchmark for the genre."ģ5 years of boundary pushing, tolerance testing extremity and still Carcass manage to astound. His closing statement proves to be no less descriptive in summarising just how much Corpse bring to the table - "the old-school death metal revival has gained steam recently, but most of those newbies sound like piss down the pan compared to this. Instead, Florida’s death metal daddies have weaned one of their most wretched, brutal babies this side of the millennium." What violence is there left to imagine, lads? Album number 15 doesn’t detail any new, exciting ways to remove someone’s scrotum using just a fidget spinner and elbow grease. Violence Unimagined wasn't any massive transformation for the band's sound, nor did it represent a new watermark in extremity as a whole, rather it was Corpse delivering the same pulverising nastiness and brutality fans have come to expect over the past 30 years plus, drenched in offal and claret as the band barely came up for breath.Īs Hammer's Alec Chillingworth mused in his review, "You already wrote Fucked With A Knife. Trust death metal legends Cannibal Corpse to go and trump just about everyone else in the game purely on the virtue of being, well, Cannibal Corpse.
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